![]() “Hosting that show was an incredible honor, but there is kind of a dog-years quality to it,” he says with a laugh. Stewart conducts group interviews with a variety of guests, then segues into a pretaped interview with an expert or political foe. The show still opens with Stewart behind a desk (this season, in a suit), firing off jokes about the day’s chosen topic, or “problem,” leading into montages culminating in the essence of the thing. How do we weed this garden and get it a little cleaner? I think season two is more successful in that regard.” The first two episodes of season two present a sharper, more refined version of the show, shaving off the more casual segments of the freshman effort, like sneak peeks into the writers room. It really was about pruning, taking out things that weren’t essential that muddled the point of view. I think that made it much harder to be clear to the audience,” he continues. “In the first season, my interviewing was a little less directed and not as focused. He continues, appraising the early episodes of the show. Trust your discomfort when you’re seeing things that aren’t working or feel a little off.” “One of the hardest things to do is take an objective look,” he says. #WHERE ARE MY BARTENDER 4 PROFILES SAVED AT SERIES#“Probably at a very profound moment where I’m delivering-I don’t want to say a pearl of wisdom, necessarily, but certainly a jewel.”ĭefying all odds, the car phone picks up smoothly enough, and Stewart dives back into his stream of profundity, in which he is candidly addressing the kinks in the Emmy-nominated first season of The Problem, his late-night series about current affairs, which returns for a second season this Friday. “At some point, the car phone will pick up and I’ll lose you,” he warns. Jon Stewart is mid-earnest-monologue, talking on the phone and walking out of his New Jersey home and into his car, where he’ll head to New York to tape his Apple TV+ show The Problem With Jon Stewart. ![]()
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